Friday, December 31, 2010
Free Download The Rape of the Nile: Tomb Robbers, Tourists, and Archaeologists in Egypt, Revised and UpdatedBy Brian Fagan
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The Rape of the Nile: Tomb Robbers, Tourists, and Archaeologists in Egypt, Revised and UpdatedBy Brian Fagan
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The scandalous rape of Ancient Egypt is a historical vignette of greed, vanity, and dedicated archaeological research. It is a tale vividly told by renowned archaeology author, Brian Fagan, with characters that include the ancient historian Herodotus; Theban tomb robbers; obelisk-stealing Romans; Coptic Christians determined to erase the heretical past; mummy traders; leisured antiquarians; major European museums; Giovanni Belzoni, a circus strongman who removed more antiquities than Napoleon's armies; shrewd consuls and ruthless pashas; and archaeologists such Sir Flinders Petrie who changed the course of Egyptology.This is the first thoroughly revised edition of The Rape of the Nile - Fagan's classic account of the cavalcade of archaeologists, thieves, and sightseers who have flocked to the Nile Valley since ancient times. Featured in this edition are new accounts of stunning recent discoveries, including the Royal Tombs of Tanis, the Valley of Golden Mummies at Bahariya, the Tomb of the Sons of Ramses, and the sunken city of Alexandria (whose lighthouse was one of the Seven Wonders of the Ancient World). Fagan concludes with a clear-eyed assessment of the impact of modern mass tourism on archaeological sites and artifacts.
- Sales Rank: #1069940 in eBooks
- Published on: 2009-04-20
- Released on: 2009-04-20
- Format: Kindle eBook
From Booklist
Fagan has written numerous archaeology books (e.g., The Little Ice Age, 2000), but his inaugural title from 1975 was out of print. This welcome revision recounts the encounter of all manner of people, from Herodotus to Howard Carter of Tutankhamen fame, with the pharaonic ruins of the Nile Valley. Modern interest in the imposing antiquity and scale of Giza, the Valley of the Kings, and the like dates from the French invasion of 1798, which included a scientific team--"the Enlightenment in action," in Fagan's words--to survey pyramids, temples, and tombs; its work provoked a rage in Europe for all things Egyptian. Some tackled the problem of unlocking hieroglyphics (achieved by Jean-Francois Champollion); others flexed their muscles to get the good stuff out of Egypt, like Giovanni Belzoni. By far the star attraction in Fagan's presentation, Belzoni was an ebulliently colorful character--a circus strongman in 1810 who chanced into the ancient Egypt craze and its accompanying lust for artifacts. That's how Egyptology began, and Fagan's history is a fine gateway to it. Gilbert Taylor
Copyright © American Library Association. All rights reserved
About the Author
Born in England and educated at Cambridge University, Brian Fagan is Professor of Anthropology at the University of California, Santa Barbara. He is internationally known for his popular books on archaeology. He lives in Santa Barbara, California.
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Friday, December 24, 2010
Free Download Philosophical Perspectives on ArtBy Stephen Davies
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Philosophical Perspectives on ArtBy Stephen Davies
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Philosophical Perspectives on Art presents a series of essays devoted to two of the most fundamental topics in the philosophy of art: the distinctive character of artworks and what is involved in understanding them as art. In Part I, Stephen Davies considers a wide range of questions about the nature and definition of art. Can art be defined, and if so, which definitions are the most plausible? Do we make and consume art because there are evolutionary advantages to doing so? Has art completed the mission that guided its earlier historical development, and if so, what is to become of it now? Should architecture be classified as an art form?
Part II turns to the interpretation and appreciation of art. What is the target and purpose of the critic's interpretation? Is interpretation primarily directed at uncovering artists' intended meanings? Can apparently contradictory interpretations of a given piece both be true? Are interpretative evaluations entailed by descriptions of a work's aesthetic and artistic characteristics? In addition to providing fresh answers to these and other central questions in aesthetics, Davies considers the nature and content of metaphor, and the relation between the expressive qualities of a work of art and the emotions of its creator.
- Sales Rank: #3557976 in eBooks
- Published on: 2007-08-23
- Released on: 2007-08-03
- Format: Kindle eBook
Review
"The essays here collected are works of analytic philosophy of art. They are insightful, scholarly, and well written. That this work is a fount of sophisticated ideas that, if not the final word on the matters to which they are devoted, are a basis for further discussion." --Philosophy in Review
About the Author
Stephen Davies is Professor of Philosophy at the University of Auckland.
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